(no subject)
Feb. 19th, 2011 05:52 amwaiting for the sun to rise.
i had an outstanding visit to nyc. the conference location was optimal, just a few minutes walk from central park (which had ice skating all over the ground, i had no idea), random house publishers (where i had lunch with
teamradvak), radio city music hall (where
chrissigrl was working an event and staying nearby), and so forth. seriously, for a town so "big," nothing seemed further than 15 minutes away, on foot or by subway.
i will probably devote a separate post to TOC/O'reilley, but for those of you who asked about margaret atwood's keynote, it was incredible. filled with humor and insight. she was so humble, so wise and didn't miss a beat. i tweeted a lot, and i am sure video or transcript is out there. short version: completely charming and inspiring.
monday night i met
verybadhorse's sister for sushi and a nightcap near union square.
tuesday m. and i met up for dinner at a little thai place in hell's kitchen, then went to see "la cages aux folles" (qc: style for musical ok as set?) on broadway, the debut evening of the new cast featuring harvey fierstein's first time in the role of zsa-zsa (a role he all but created when he wrote/adapted the script in the early 80s). the cast also featured the original angel from "RENT." (!!!) the entire performance was stellar. i've never felt more gay.
wednesday i had a VIP pass for a filming of the jimmy fallon show. i tried to get tickets for letterman before i left to no avail; my friend c. had a hook up for NBC so i figured i better run with it. NO JOKE, the same day i was expected at NBC studios, my phone rang twice with a call from a 212 number, no voicemail: i called back and it was someone from letterman.
seeing a television filming is an impressive, well-oiled vehicle. i should have figured, but i had no idea. the experience is seamless, with virtually no down time, and a constant and tangible high energy level. (the VIP entry was a sweet deal, but it did seem that general admission can be a bit of an ordeal and time suck.) from the minute the audience is assembled and seated, the "entertainment" begins, first with a crowd warmer, then the band (the roots, with a special guest appearance by mos def). fallon comes on and there are absolutely no re-shoots, probably the biggest surprise to me. there are something like 7 cameras, 2 women who blot-and-powder fallon between breaks. a crew of maybe 30. the band plays the entire time that would be a commercial break. and then it's done.
wednesday evening was my last in town, and i was able to fit in a whole lot of socializing. took the subway into the east village for drinks at a fancy tequila bar with
sparkle_m0ti0n and his partner, then back up to a pub to have a nightcap with c.,
manningkrull & m., who had just come from the gipsy kings show. it was a perfect night.
thursday i checked out of my hotel and met k. for breakfast and a tour around MOMA, which i somehow never got around to visiting before this trip, but the splendor and breadth of its collection ensures i will definitely return. then, off to newark (which i definitely won't do again).
and the rest you know.
i had an outstanding visit to nyc. the conference location was optimal, just a few minutes walk from central park (which had ice skating all over the ground, i had no idea), random house publishers (where i had lunch with
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i will probably devote a separate post to TOC/O'reilley, but for those of you who asked about margaret atwood's keynote, it was incredible. filled with humor and insight. she was so humble, so wise and didn't miss a beat. i tweeted a lot, and i am sure video or transcript is out there. short version: completely charming and inspiring.
monday night i met
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
tuesday m. and i met up for dinner at a little thai place in hell's kitchen, then went to see "la cages aux folles" (qc: style for musical ok as set?) on broadway, the debut evening of the new cast featuring harvey fierstein's first time in the role of zsa-zsa (a role he all but created when he wrote/adapted the script in the early 80s). the cast also featured the original angel from "RENT." (!!!) the entire performance was stellar. i've never felt more gay.
wednesday i had a VIP pass for a filming of the jimmy fallon show. i tried to get tickets for letterman before i left to no avail; my friend c. had a hook up for NBC so i figured i better run with it. NO JOKE, the same day i was expected at NBC studios, my phone rang twice with a call from a 212 number, no voicemail: i called back and it was someone from letterman.
seeing a television filming is an impressive, well-oiled vehicle. i should have figured, but i had no idea. the experience is seamless, with virtually no down time, and a constant and tangible high energy level. (the VIP entry was a sweet deal, but it did seem that general admission can be a bit of an ordeal and time suck.) from the minute the audience is assembled and seated, the "entertainment" begins, first with a crowd warmer, then the band (the roots, with a special guest appearance by mos def). fallon comes on and there are absolutely no re-shoots, probably the biggest surprise to me. there are something like 7 cameras, 2 women who blot-and-powder fallon between breaks. a crew of maybe 30. the band plays the entire time that would be a commercial break. and then it's done.
wednesday evening was my last in town, and i was able to fit in a whole lot of socializing. took the subway into the east village for drinks at a fancy tequila bar with
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
thursday i checked out of my hotel and met k. for breakfast and a tour around MOMA, which i somehow never got around to visiting before this trip, but the splendor and breadth of its collection ensures i will definitely return. then, off to newark (which i definitely won't do again).
and the rest you know.